Books for recorder
players
Recorder  Music theory Historical
dance Other topics
| Recorders and other instruments |
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| PRBES3 |
THE RECORDER PLAYERS COMPANION by Frances Blaker "…is
a compendium of technical exercises for recorder players. It is meant to be a daily
companion. It is divided into four parts: breathing, blowing, fingers and tongue. The
exercises in each part are arranged in order of increasing difficulty, but can be used in
any order by players already familiar with them. My intention in writing this book was to
provide a selection of exercises that players of all levels can use for daily
technique… I hope that each one of you will find enjoyment in working with technique.
Feeling (and hearing) one’s improvement is very rewarding…" Frances Blaker |
$19.00 |
| 048624606x |
PRINCIPLES OF THE FLUTE, RECORDER AND OBOE (1728) by
Jacques- Martin Hotteterre translated, with introduction and Notes by Paul Marshall
Douglas. A treatise of central importance in the historical development of the flute. Most
important, it contains an extensive discussion of principle ornaments and embellishments
of the period and their proper and tasteful use. The section on the recorder is an
important period instruction book, as valuable to recorder players of today as it was to
their counterparts in the 18th cen. Hotteterre was a fine flutist honored at the court of
Louis XIV. |
$5.95 |
| 198790015 |
PLAYING RECORDER SONATAS – Interpretation and Technique by Anthony
Rowland-Jones. A book designed for those players who have reached the point where
they feel ready to embark upon solo sonata playing. It encourages players whose experience
has been limited to consort music to extend their playing to sonatas by Handel, Telemann
and others. Through this book they will encounter sonatas from the 17th, 18th and 20th
centuries. Each of the sonatas considered is described in relation to its musical
background (illustrated by parallels with other arts) and to the performance practices of
each period. 220 pages. |
$29.95 |
| 0733610570 |
THE RECORDER – How it changed the world, saved the universe
and topped the charts by Natalie Jane Prior and Illustrated by Karen Carter. Read
this book to find out how! Take an inside look at one of the world’s most
extraordinary instruments, covering topics such as: The history of the recorder – How
a recorder is made – famous recorder composers and players –Tips for improving
your playing. This is a children’s book that adults will thoroughly enjoy ! |
12.95 |
| 521358167 |
THE CAMBRIDGE COMPANION TO THE RECORDER edited by John
Mansfield Thomas. "For the recorder player wishing to acquire an JJ-girl-hiker.gif
(7544 bytes)insight into the many aspects of our instrument and learn to see facts not
only as 'how to do' but as an inspiration, The Cambridge Companion to the Recorder is
warmly recommended" Daniel Bruggen of the Amsterdam Loeki Stardust Quartet. Seven
contributors from four countries write on topics such as the recorder and its music
through the centuries, the use of re-corders in an orchestra, professional recorder
players and their instruments, the revival of the recorder, and its role in education.
Other chapters bring together basic reference material hitherto unavailable in one
vol-ume. A special feature of the book is its rich collection of illustra- ions, some of
them published for the first time, which provides a history of the evolution of the
recorder along with an intriguing demonstration of its changing role in musical life.
Written to expand the horizons of |
$19.95 |
| Peacock Press |
THE RECORDER AND ITS MUSIC by Edgar Hunt. / This book
traces the development of the recorder as an instrument and its position in the world of
music from 1450 to today. There are 30 photographs, and many line-figures and music
examples. Edgar Hunt has been associated for most of his life with the recorder, as
teacher, music editor and designer of instruments. For this new reprint of his book, first
published in 1962, he has made revisions and corrections to both text and illustrations to
take account of the latest developments all over the world. |
$29.95 |
| Alamire |
THE FINISHING TOUCH OF ENSEMBLE PLAYING a Flanders
recorder quartet guide for recorder players and teachers by Bart Spanhove. / Making music
with others is a wonderful activity, but not an easy one. To make the playing enjoyable
for every member of the ensemble is an art that demands dedication, insight, and when
available, good instruction. The purpose of this book is to help recorder players become
better ensemble members. Written in response to requests from both amateurs and
professionals Bart has set down his practical suggestions based on his experience and fill
a long-felt gap in the literature about our instrument. Also included is a very
interesting chapter by musicologist David Lasocki entitled A Short History of the Recorder
Ensemble. |
$25.00 |
| FOS12 |
NATIVE AMERICAN MUSIC IN SEVEN VOLUMES compiled and edited by
Daniel Chazanoff for tenor or soprano recorder (alto of played up 8va) Music of Indians of
the Southwest, Plains, Pacific Northwest, of the Lakes & Woods, Great Basin-Plateau,
Southeast & Calfornia. Illustrated 8.5" x 5.5" boxed set, 7 volumes in
slipcase |
$42.00 |
| MB96718 |
THE ART OF THE NATIVE AMERICAN FLUTE by R. Carlos Nakai
& James DeMars with David P McAllester & Ken Light. This book is a summation of R.
Carlos Nakai's years as an educator, performer and student of the Native American flute.
Part 1: Includes discussions of tuning, fingerings, performance technique, tablature,
style, history, standard notation, traditional ornaments plus a section on the care and
maintenance of the flute. Part 2: Includes 16 transcriptions of songs from Nakai's
recordings. Part 3: Is an analysis of Nakai's role in native American culture as a
recording Artist and performer by ethnomusicologist David P. McAllester. This book is an
important source on the native American flute and a review of the career and artistry of
one of the most important ethnic artist in America. |
$19.95 |
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| Historical
Dance |
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| 486217450 |
ORCHESOGRAPHY, 1589 by Thoinot Arbeau translated by
Mary Stewart Evans. This classic treatise remains the most detailed and valuable
document on 16th century dances and dance music. Written in the form of a dialogue in
which Arbeau instructs young Capriol in the art of "ballroom" dancing. Included
are such dances as the basse dance, pavan, galliard, branle, gavotte, canary and more. |
$11.95 |
| 571507239 |
THE COMPLETE COUNTRY DANCE TUNES from PLAYFORD’S DANCING MASTER,
1651-1726 edited by Jeremy Barlow. The classic compendium of English
country dance tunes. The tunes were taken from many sources and demonstrate the richness
and vitality of melody in England in the late 17th and early 18th centuries. 535 tunes,
historical introduction, tune and title indexes Playable in C instruments. |
$37.00 |
| 486286193 |
COURTLY DANCE OF THE RENAISSANCE by Fabritio Caroso a new
translation by Julia Sutton of the Nobilta di Dame, 1600. One of the best-known guides to
courtly dance, notable for its exemplary clarity and detail. Caroso’s text consist of
two parts: 1. presents instruction on a great variety of dance steps, rules of the dance
and dance etiquette. 2. presents the music and a full choreography for 49 Renaissance
dances. With detailed discussion of each section by the editor |
$14.95 |
| N2339 |
TANZ New and Curious Theatrical Dances, Nurnberg, 1716 edited by
Manfred Harras. A beautiful edition of unusual dance melodies. Left page contains the
original print with dance melody, artist’s rendering & notes. Right contains
dances in modern type. 27 dances for Sop. or Tenor, 12 can be played on alto, Intermediate |
$16.00 |
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| Music
Theory |
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| G6471 New! |
A GREGORIAN
CHANT HANDBOOK by William
Tortolano A book on the fundamentals of reading and interpreting
Gregorian chant for the person with no prior experience. This is truly a
“handbook” for anyone who desires to acquire a practical, working
understanding of chant notation, rhythm, modes liturgical use,
interpretation, and conducting, and Latin pronunciation. |
$9.95 |
| 0966161602 |
EDLY'S MUSIC THEORY FOR PRACTICAL PEOPLE by Ed Roseman /
Here is a theory book chock full of information for anyone at any level. Learn what makes
music tick or just deepen your appreciation of it. Presented clearly, informally and with
a sense of humor. "Edly's teaches musical literacy in plain language, a step at a
time. Veterans of college music theory courses will find Roseman's approach disarmingly
frank and refreshingly irreverent. Underlying the banter is plenty of solid information
and down-to-earth advice… helpful rules of thumb abound…a highly useful
contribution to the literature." Nick Humez, Maine Sunday Telegram. "An
excellent way for any music lover to learn the basics. It is comprehensive and user
friendly; a must for both musician and listener." Dr. Kenneth Lampi, Professor of
Music Theory, The Juilliard School |
$25.00 |
| DK10016 |
THE ART & TECHNIQUE OF PRACTICE by well-known guitarist
Richard Provost. An in depth discussion of universal practice techniques that apply to all
instruments. Includes: General Guidelines & Goals, Preparation, Technique,
Memorization, Visualization, note-Reading, Interpretive Practice, Problem Solving,
Repertoire Maintenance, Developing Reading & Listening Skills, Practice Schedule and
Outline. "Progression by simple stages is the key to major achievement…in
learning music, the skipping of steps can mean failure to form the groundwork on which
future progress depends" Fred Noad |
$14.95 |
| 57700045 |
THE RULES of MUSICAL INTERPRETATION in the BAROQUE ERA
(17TH & 18TH centuries) by Jean-Claude Veilhan. Musical
interpretation common to all instruments and according to BACH, BROSSARD, COUPERIN,
HOTTETERRE, MONTECLAIR, QUANTZ, RAMEAU, ROUSEAU, d'ALEMBERT. From their writings this is a
discussion of meters & their characters, phrasing, em-bellishment, character &
tempo of the various movements etc. Develop the freedom to make your own interpretation
within the style & practice of the time. Index of terms, subjects & authori-ties
citied Index of musical examples. Bibliography of works cited. |
$49.95 |
| DK10020 |
THE ART & TECHNIQUE OF PERFORMANCE by guitarist Richard
Provost. Music performance is a complex subject involving practice, psychology, public
relations, concert booking, business and creativity. This book will examine three areas:
pre-concert preparation (programming, publicity etc.), performance anxiety, and teaching
to lessen performance anxiety. 62 pages of advice every musician needs but most have
rarely heard. |
$14.95 |
| 120475 |
RHYTHMIC TRAINING by Robert Starer. The ability to tranform visual
symbols rhythmic notation into time-dividing sound is an acquired skill. It involves the
coordination of physical, psychologi-cal, and musical factors and cannot, therefore be
accomplished by the simple act of comprehension. This book represents an attempt to
develop and train the ability to read and perform musical rhythms accurately. For
classroom private studio and self-teaching |
$6.95 |
| 123559 |
RYTHMIC TRAINING WORKBOOK by Robert Starer. Companion to
above book |
$5.95 |
| BER1820 |
MUSIC THEORY FOR THE BORED AND CONFUSED Book 1 by David
E. Walden illustrated by Linda Nicholson. One of the most enjoyable introductions into the
basic concepts of musical notation available. Speaking as a teacher David Walden says
"I have found that an imaginative, humorous presentation that has loosely followed
the historical development of musical notation has been most effective" A best seller
for over 20 years! For the complete novice. |
$24.95 |
| BER2003 |
MUSIC THEORY FOR THE BORED AND CONFUSED Book 2 by David
E. Walden. Life with the Monks at Notation Monastery proves interesting as we learn all
about Scales - modes, major, minor, whole tone, 12 tone. A delightful indepth discourse on
the subject with pleasant practice exercises. 236 pages on this one topic. |
$29.95 |
| DER2001 |
UNDERSTANDING THE LANGUAGE OF MUSIC Book I by David E.
Walden - How to read write, speak, sing and play the written language of music. Covers
modes, scales, rhythm, melody and more - 186 pages with a "plethora of
exercises". Designed within a broad historical context to promote solid understanding
and progressive learning with a "breath of humanity and, yes even a hint of
humour" |
$19.95 |
| DER2002 |
UNDERSTANDING THE LANGUAGE OF MUSIC Book II by David E.
Walden - A continuation of book 1 another 240 pages of indepth theory training with a hint
of humour. Begins with the development of harmony discussing intervals, compound rhythms,
Rest, triads (inversions, chorale style, keuboard style, cadences), transposition, tempo,
dynamics, signs & directions. Plenty of exercise space for hands on learning. |
$19.95 |
| AM37391 |
EVERY MUSICIAN'S HANDBOOK. In a condensed form this book deals
with topics important to all musicians. Introduces harmony, counterpoint, orchestration,
scales, keys, chords, there is a glossary of musical terms and a bibliography. Slim design
fits in your music case. |
$4.95 |
| GS10026 |
POCKET MANUAL OF MUSICAL TERMS – Fifth edition,
the first and best is now even better! Over 5,000 definitions of key musical terms,
styles, forms and instruments. Provides brief biographies of over 1,000 composers and
performers. Covers classical, jazz, pop and world music. Compact size Only 4"x3" |
$6.95 |
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Other
Topics |
| PBE38 |
MUSICAL LIMERICKS by David Goldstein. Revised edition
1999, from innocent humour to the profane (there is a two page blue section in the middle
of the book that can be pulled out if you find it offensive). He pokes fun at orchestral
instruments, viols, recorders, Renaissance and Baroque composers, amateurs, ensemble
playing and etc: Heinrich Schutz one fine
morning awoke,
Found the Renaissance dying, and spoke,
"if you live a long while
You must vary you style-
Sehr gut! I will go for Baroque." |
$5.95 |
Phone: 1-800-2-Richie (1-800-274-2443)
Fax: 1-518-623-2869
E-mail: richie@courtlymusicunlimited.com
   
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